Oh, Chrys!

This review appeared first on Oh, Chrys!Recalling reading of a daguerreotypist in Hawthorne's [b:The House of the Seven Gables|90192|The House of the Seven Gables|Nathaniel Hawthorne|http://d202m5krfqbpi5.cloudfront.net/books/1348244293s/90192.jpg|1483780], I was delighted to read Savio's work. The daguerreotypist in the former novel captured me despite his murky mystique and evasiveness, so I was hoping for the same in [b:The Daguerreotypist|17295214|The Daguerreotypist|Christopher Savio|/assets/nocover/60x80.png|23928891]. I am not surprised that authors use this profession to portray characters as dark as the rooms their products require. Besides the presence of a daguerreotypist, I was most excited to read about the alternating times periods - 1842 and 2012 - of New York City. Despite these initial attractions, I found [b:The Daguerreotypist|17295214|The Daguerreotypist|Christopher Savio|/assets/nocover/60x80.png|23928891] to be lacking in vital areas - writing and characterization. Fortunately, the fast progression of the plot and its ever-increasing intrigue made me appreciate the novel beyond its flaws.Readers are introduced to Isaiah, a religious fanatic who feels that by deterring sinners from their vices using inhumane scare tactics, he can prepare a society ready to welcome his Lord. With the theme of religion pulsing each page, and in a hypocritical light, [b:The Daguerreotypist|17295214|The Daguerreotypist|Christopher Savio|/assets/nocover/60x80.png|23928891] proved to be insightful, leaving me afraid that such people may have existed or even worse still do. Like in every multi-perspective book, he ended up being the character I was most excited to read about - the character that demanded my attention. His was the only personality that was well portrayed. He was dark and macabre - the machinations of the Devil himself.A recently-moved couple about to get married, Rachel and Brian were quite difficult characters to enjoy reading about. Their characterization was not as powerful as the crazed Isaiah; however, they certainly did propel the plot with their sleuth and curiosity. Specifically, it was Rachel's unholy, obsessive attraction to Isaiah's daguerreotype found in her new apartment that enveloped the plot with a blanket of suspense and fear. Though the suspense was not mind-aching, and the fear was not crippling, the events that ensue the discovery of the mysterious daguerreotype opens a Pandora's box, fit to destroy any bonds Rachel has and to risk her relationship and the aspirations of her politician father. Conversely, Brian's character was so underdeveloped, that later I deduced that his inclusion was solely to maintain a love triangle. The relationship between the future newly-weds was not described well and seemed to only have a trickle of pertinence to the progressiveness of the plot. With closer examination of their lackluster development, I found the Brian-Rachel relationship to be annoying. For instance, Rachel uses Brian's insecurities to control him.Now the ground-shaking character that certainly raised my interest was Belial. He is one of 1842 Isaiah's customers, who seems to know more about Isaiah's life-threatening crusade. More than Isaiah would like him to know. With such knowledge, readers will be curious to learn how he knows of these dark secrets. It is also an opportunity for readers to see the unfazed Isaiah evolve into a person of fear - a different perspective from his serial killer persona. Belial's unveiling of Isaiah's secrets turn the murderous zealot into a desperate man, willing to do anything to stay alive. I enjoy the scenes with Beliah and Isaiah because not only were they better portrayed, but they added a thrill factor to a fast-moving plot.Savio's organization was impressive. I never got confused about which time period took center stage. The transitions between the couple and the crazed zealot were smooth, overlapping each other in a way that maintained steady interest. I also appreciated the historical research that etched the novel, especially in its expositions. However, it would have been wondrous if the plot was encased in more descriptive writing.Savio does more telling than showing. This is especially evident when considering that Brian is conveniently a history teacher. Considering that this novel, heavily relies history, I found it unoriginal that Brian was readily available to provide a scholastic infodump at the tip of his tongue when required. The most unfortunate area where Savio's writing fell short was in the relationship of Rachel and Isaiah. I was not expecting a lot of insight in their impulsive attraction, but it would have been great if the romance had a stronger presence. The diction of [b:The Daguerreotypist|17295214|The Daguerreotypist|Christopher Savio|/assets/nocover/60x80.png|23928891] was didactic and simple to understand. Every now and again a passage of eloquence appeared, only to be marred by coarse dialogue or a vague, taunting description.The plot of this book really had me going - like really. Unfortunately, the writing and characterization lacked the flourishes of captivating writing. This can be easily dismissed with the racing plot it unfolds depending on the reader's interest level.In the end, the writing could not refrain me from enjoying a book with awesome potential. I was engrossed in the plot despite the novel's deficiencies. Reminiscent of a Stephen King novel, [b:The Daguerreotypist|17295214|The Daguerreotypist|Christopher Savio|/assets/nocover/60x80.png|23928891] held my attention, and ended with a cliffhanger which leaves me waiting for another installment.

Fucking loved. Storm of Swords awaits me! Yesh!

It is not often that I come across a book that rubs me the wrong way to the extent that [b:September Girls|1298784|The September Girls|Maureen Lee|http://d.gr-assets.com/books/1328819149s/1298784.jpg|1287948] did. An utter disappointment, [b:September Girls|1298784|The September Girls|Maureen Lee|http://d.gr-assets.com/books/1328819149s/1298784.jpg|1287948] convinced me that it was an experiment by the publisher. Many times I wanted to fling my tablet to the wall, but then I remembered that it was a gift. I wish I could articulate my dreadful experience, but I cannot really. Debby's review at Snuggly Oranges really emcompasses exactly how I felt, while citing quotes for emphasis.A coming-of-age story, [b:September Girls|1298784|The September Girls|Maureen Lee|http://d.gr-assets.com/books/1328819149s/1298784.jpg|1287948]is told in Sam's perspective. He is on the cusp of adulthood, and when his father carries him and his brother, Jeff to the beach for vacation, he is actually enthused about it. Considering that his mom walked out on them recently, this is the perfect time for mending their relationships. This certainly is a beautiful premise for a summer bildungsroman, but [b:September Girls|1298784|The September Girls|Maureen Lee|http://d.gr-assets.com/books/1328819149s/1298784.jpg|1287948] will dupe many readers searching for that warm, romantic read. Saturated with misogyny and misconceptions, [b:September Girls|1298784|The September Girls|Maureen Lee|http://d.gr-assets.com/books/1328819149s/1298784.jpg|1287948] is extremely unpleasant.There is poor plot and character development in [b:September Girls|1298784|The September Girls|Maureen Lee|http://d.gr-assets.com/books/1328819149s/1298784.jpg|1287948] . It is practically an account of a strange obsession with strange Girls who seem to have a strange compulsion to Sam's strange self. These Girls I am referring to are practically a species of blondes who inhabit the beach. They have weird accents, throw the wildest parties, and have mediocre jobs. At first, I thought the mystery surrounding them was tantalizing. Whatever paranormal element they embodied was practically functionless in this novel. These Girls do nothing extraordinary, but fancy Sam and Jeff.What is really developed though is Sam's libido. Frequently masturbating and feeling 'tingly' sensations in his dick, Sam is at the peak of his puberty. Literally, that is the only sort of 'excitement' in this book.A slight look from DeeDee's 'hungry' eyes is enough to get him going. Then how can readers dismiss that all virginal males are unable to control themselves around the opposite sex?The plot is excessively dull considering the rich backdrop it had. Life at the beach is mundane and repetitive.The only person doing something interesting is Sam's dad, who frequents the shores with his metal detector looking for treasure obsessively. Most of the time, Sam is alone and reflecting on life and sex. It is obvious that Madison attempted to make Sam a "deep" character, juxtaposed by Jeff, his sex-crazed brother. There is no sort of balance in Sam's narrative because of this. One day he is getting sexually stimulated by golden irises and the other day he has no idea what the point of partying is. This is the same guy who attended a Halloween party and had a drunk make-out session with a girl who was wearing a "deliberately slutty Alice in Wonderland costume".The vulgarity of this young adult novel, does not stop there. As alluded to in the aforementioned quote, [b:September Girls|1298784|The September Girls|Maureen Lee|http://d.gr-assets.com/books/1328819149s/1298784.jpg|1287948] is undoubtedly misogynistic. The instances where women are reduced to beasts who only live by sexual instinct are numerous. Even the abandonment of Sam's mom is illy portrayed. Apparently, she left her family after discovering "the feminine mystique". I am not sure how feminism has ever divided a family, nonetheless to encourage a women to forsake her children. There is also profuse slutshaming and objectification present. In fact, every two pages or the female sex and her corresponding organs are degraded. There are many instances were expletive and even beastly descriptions are used to denote women. The superfluous presence of 'hos' is frustrating, and this is only piqued when I recall what audience [b:September Girls|1298784|The September Girls|Maureen Lee|http://d.gr-assets.com/books/1328819149s/1298784.jpg|1287948] is being marketed for. Oh, and if you are blond and are reading this, please note that your hair color makes you more likely to be deemed a "ho". I am not a sensitive reader, but [b:September Girls|1298784|The September Girls|Maureen Lee|http://d.gr-assets.com/books/1328819149s/1298784.jpg|1287948] portrayed views that I could not just swallow. You do not have to be a zealous feminist to observe the powerful misogyny in [b:September Girls|1298784|The September Girls|Maureen Lee|http://d.gr-assets.com/books/1328819149s/1298784.jpg|1287948] . It certainly degrades women. What makes it so awful is that the book had no sort of intentions or redeeming qualities, so all that remains is a compilation of offensive and degrading stereotypes.[b:September Girls|1298784|The September Girls|Maureen Lee|http://d.gr-assets.com/books/1328819149s/1298784.jpg|1287948] did not even redeem itself in its writing. I do understand the novel is told from a teenager, so slangs and improper grammar in the dialogue did not bother me. I even tolerated the obscenities on every page. There are few instances of eloquence, and when they are present, they are ultimately marred by the vile content of Sam's stream of consciousness and other dialogue. The writing worsened whenever the point of view changed to the Girls. In these short expositions, the Girls provide an incoherent narrative, that pushes too hard to be mystical and haunting. It was as though my brain was being pried.In a pistachio shell, [b:September Girls|1298784|The September Girls|Maureen Lee|http://d.gr-assets.com/books/1328819149s/1298784.jpg|1287948] is a nonsensical book. The misogyny cannot be surpassed. The stereotypes are abundant. The characterization is nonexistent The writing is rudimentary. The plot is mundane. I would not recommend this book to anyone, especially those young adults on the lower side of the age spectrum. This review appeared first on Oh, Chrys!

This review appeared first on Oh, Chrys!Enthralling and ultra fast-paced, [b:Shatter Me|10429045|Shatter Me (Shatter Me, #1)|Tahereh Mafi|http://d.gr-assets.com/books/1310649047s/10429045.jpg|15333458] features a unique writing style and a narrator that held my attention throughout the entire novel. These interesting qualities are accentuated by world-building that gracefully led me into a setting riddled with tension, corruption, and totalitarian leadership. The plot heightened rapidly, though some of its events certainly disappointed me.When it comes to YA dystopian novels, it is almost pedestrian for the world-building to be lacking. Either it is incomplete, confusing or simply too unbelievable. Fortunately, Mafi did not leave me in total dismay. Her world-building is exemplary as it is very easy to understand. Readers are not overwhelmed with foreign ideas or terminology. Instead, Mafi utilizes our familiarity with today's Earth and juxtaposes it with the new, miserable world. This is primarily done via Juliette's memories of the world before and after The Reestablishment - the elite authority that has deteriorated the world under its dictatorship. Furthermore, the world of [b:Shatter Me|10429045|Shatter Me (Shatter Me, #1)|Tahereh Mafi|http://d.gr-assets.com/books/1310649047s/10429045.jpg|15333458] is quite realistic, especially when considering its militaristic aspects.There are three central characters in the book; however, I found myself quite impressed by Juliette, the lead character who has been in confinement for nearly a year. Put into an asylum because of her fatal touch and dubbed a threat to all of humanity (sounds a lot like Rogue), Juliette's mind is obscured by solitude. This is evident in her eerie journal entries and nonexistent social skills. Throughout the novel, she loathes herself for being a 'monster' for her curse, yet I was never overwhelmed by her self-hatred. She has been a pariah of society all her life, so it is believable that she disgusts her condition. Mafi ensured that Juliette never forgot why society shunned her. This is definitely a sad truth, but it is realistic. I felt so bad for the disgraced protagonist especially when considering that she is such a kind being.What I really admired about Juliette was her initial independence. After being seized by Warner, the son of the leader of The Reestablishment, to be a weapon, Juliette is so determined to avoid becoming a ploy for a merciless organization. As desperate as she is for food, clothes, etc., she refuses to appear vulnerable to the malignant Warner. However, this resilience vaporizes quickly as a romance with Warner's go-to soldier, Adam develops. This seems to be the common trend in YA books: A broken girl subsides her independence only to be "rescued" by a charming male. With this occurring Juliette's character became more naive and reliant. I was gravely disappointed. It makes me wonder if weak-minded women are a trend of YA today.Warner's devilish character though selfish and controlling, is interesting. Though a villain, sometimes a streak of kindness appeared in him. His "polarizing personalities" really made me question what his true motivation was. To me, his surface motivation, to use Juliette as a super weapon, was not far-fetched; however, I was doubtful that was his only incentive. There are instances where I saw a romantic spark between Warner and Juliette - a Christian Grey kind without the kinky sex. It was very queer to see that Juliette would even have a slight attraction to the person imprisoning her.Sadly, that romance was not the most agitating one present in [b:Shatter Me|10429045|Shatter Me (Shatter Me, #1)|Tahereh Mafi|http://d.gr-assets.com/books/1310649047s/10429045.jpg|15333458]. The Adam-Juliette one was. Juliette's attachment to Adam is very bothersome. For someone who has not seen a flower for nearly a year, and who has had no human interaction, Juliette latched onto Adam very quickly. I cannot comment much on this without revealing spoilers. All I can say is that their relationship was practically had no foundation, and it was a pain to see how hormones began to dictate the plot. Let me just say here that [b:Shatter Me|10429045|Shatter Me (Shatter Me, #1)|Tahereh Mafi|http://d.gr-assets.com/books/1310649047s/10429045.jpg|15333458] Fortunately, I was delighted by Mafi's writing. Ornate with metaphors, repetition, strikethroughs, poetic flourishes, and lyrical prose, her writing style really hooked me. I have seen much negative criticism about Mafi's writing, especially her nonsensical metaphors. Fortunately, I found Mafi's unorthodox writing to be more than purple prose. I found it refreshing and beneficial. For instance, readers get to learn so much about Juliette through stream of consciousness. This popular method of narration is given an amplifying twist with the use of strikethroughs. These simple typographical embellishments enable readers to know exactly what Juliette is really thinking, even if she says something else.“I am a raindrop.My parents emptied their pockets of me and left me to evaporate on a concrete slab.”― Tahereh Mafi, Shatter MeEven the absence of commas is helpful as it accelerates Juliette's stream of consciousness, and made me easily absorbed. This exemplary, unique stream of consciousness is vital, as it allows leaders to attach to the protagonist within the first book of the series.The metaphors in [b:Shatter Me|10429045|Shatter Me (Shatter Me, #1)|Tahereh Mafi|http://d.gr-assets.com/books/1310649047s/10429045.jpg|15333458] are ever-present and powerful. They underscore how disconnected Juliette is with the world. She lives in a figurative world because she does not have freedom in her own. Even though Mafi may have made metaphors of the simplest things, most of them were captivating and did not overwhelm me. It excited me to see these metaphors dominate [b:Shatter Me|10429045|Shatter Me (Shatter Me, #1)|Tahereh Mafi|http://d.gr-assets.com/books/1310649047s/10429045.jpg|15333458] , especially since they conveyed beautiful imagery and developed Juliette. This of course, may deter other readers who find it completely unnecessary.“Realization is a pendulum the size of the moon. It won’t stop slamming into me.”― Tahereh Mafi, [b:Shatter Me|10429045|Shatter Me (Shatter Me, #1)|Tahereh Mafi|http://d.gr-assets.com/books/1310649047s/10429045.jpg|15333458] Saturated with alliterations, metaphors, personification, run-ons, and even questionable sentence structure, the writing in [b:Shatter Me|10429045|Shatter Me (Shatter Me, #1)|Tahereh Mafi|http://d.gr-assets.com/books/1310649047s/10429045.jpg|15333458] exuded poetic beauty. Though the characters began to disappoint me as romance seized the novel, and some plot events emulated a popular mutant comic book series, [b:Shatter Me|10429045|Shatter Me (Shatter Me, #1)|Tahereh Mafi|http://d.gr-assets.com/books/1310649047s/10429045.jpg|15333458] was a good read.

A novel promising a thrill based on its blurb, [b:The Rules for Disappearing|13018503|The Rules for Disappearing|Ashley Elston|http://d.gr-assets.com/books/1352817095s/13018503.jpg|18180811] fell short to me. Considering its place as Elston's debut novel, I would have appreciated if it was more impactful. Though it certainly had a strong introduction, things began to crumble as I read on. I cannot foster an overall enthusiasm for [b:The Rules for Disappearing|13018503|The Rules for Disappearing|Ashley Elston|http://d.gr-assets.com/books/1352817095s/13018503.jpg|18180811], but I do not regret reading it.Based on the risky secrecy of Witness Protection, [b:The Rules for Disappearing|13018503|The Rules for Disappearing|Ashley Elston|http://d.gr-assets.com/books/1352817095s/13018503.jpg|18180811] features a family that has been thrust into a life constantly on the go - a life where the Suits can relocate them whenever they deem it fit. This element of random relocation adds a sense of despair on the entire family - even on the reader - as one day they can be swept to a different state with an entirely new identity. Meg, the female lead, has no idea what has brought this curse on upon her family, and her parents refuse to inform her why. This unknown reason certainly fueled an eager curiosity that motivated me to read of Meg and her family's plight, even if it was reluctantly.Meg is a character that many readers will adore, especially considering the inherent weakness of heroines in YA today. She is resilient and protective of her younger sister, Teeny. She is determined to never reveal her identity or to become attached to anyone outside her family. Meg has no choice but to muster an independence and strength as her parents, especially her mother are dysfunctional. Things take a downward spiral with the introduction of Ethan though. Meg really did not want to attach to him, but Ethan has a charm that makes her fluster upon first seeing him and when he intentionally tells her cheesy lover quips. Instalove ensues, and soon the strong-willed heroine places her romantic interest above her family's protection. This really bothered me as Meg began to do reckless, selfish things. Yes, she tried very hard to nudge off Ethan, but the way she easily gives in is very disappointing. There is one scene where she comes home with Ethan, only to find her mom extremely drunk - so drunk that she looks dead. Rather than being alarmed at the 'could-be' emergency at hand, Meg's pride matters more, and she is so embarrassed that Ethan is around to see.I was also bothered by Ethan. A farmer boy, Ethan is flawless and is determined to find out this Meg Jones. Somehow he is the handsome guy who breaks down Meg's interior, though admittedly it was an enduring process for him. His irresistibility is the medium through which Meg is saved. Even Teeny, who has been taking an emotional toll too mammoth for a young child, is able to open up to Ethan. I found this to be ludicrous. Many times Elston conveyed how bothered Teeny's emotional state had become under witness protection. She is in a wreck, but Ethan, breaks her shell too. Though this is a cute notion, I cannot say it heightened my reading experience. What I really liked about [b:The Rules for Disappearing|13018503|The Rules for Disappearing|Ashley Elston|http://d.gr-assets.com/books/1352817095s/13018503.jpg|18180811], albeit its romantic tropes, is its portrayal of a less than traditional view of family in this genre. Ever since the family has been placed into witness protection, the secrecy burdens them. Though the parents are well-aware of the reason for their new identities, their children are confused. This family had seen much better times before the program, and now the constant moving has torn the very fiber of their bonds. Meg's mother, for instance, has now become an alcoholic. Her life has essentially been shattered, and it is the bottle that helps her escape the reality of being a mother. It was very sad to see how she plummeted maternally, but it was great to see Meg pick up where her mother was slacking. Juxtaposed to his drunk of a wife, Meg's father's role is only accentuated. Though he is not strongly present, he tried his best to keep his family together. [b:The Rules for Disappearing|13018503|The Rules for Disappearing|Ashley Elston|http://d.gr-assets.com/books/1352817095s/13018503.jpg|18180811] surprised me with this degeneration of a family. It actually evoked pity.Though readers get to see these depressing effects of the Witness Protection Program and family secrets, the mystery of [b:The Rules for Disappearing|13018503|The Rules for Disappearing|Ashley Elston|http://d.gr-assets.com/books/1352817095s/13018503.jpg|18180811] is anticlimactic The reason for the family being thrust into the program is slowly, tormentingly revealed, and this to the detriment of the novel. I was anxiously waiting to find out what was the cause, and when it is finally unveiled not only is it predictable, but it is very flat. Elston tantalized me with what manifested as a cumbersome mystery. Yes, I read on out of curiosity, but it was reluctantly. I wanted to be thrilled. I wanted to have a shocker moment. I also had problems with the conclusion of [b:The Rules for Disappearing|13018503|The Rules for Disappearing|Ashley Elston|http://d.gr-assets.com/books/1352817095s/13018503.jpg|18180811]. When it comes to mystery, the conclusion is best when it is sensational. Things are supposed to end in a bang, and hopefully one that has not been expected. What really proved bothersome was the convenience of it - both for Meg and the novel. Meg basically goes on an adventurous, yet life-endangering mission with lovely Accommodation as her sidekick. Things run too smoothly. It is a page-turning conclusion, but not one that impressed me. Also, the very ending seemed to function as a cliffhanger for The Rule for Disappearing, #2. Despite the obvious sequel ending, it certainly is one that will make me read the next book.Though I was disappointed by this mystery element in its entirety, I must say that Elston's atmosphere-building is exquisite. Meg's paranoia for instance, adds a level of intrigue, and when she finds herself feeling spied on, it really had me on the edge of my seat. Elston's writing is well-done, and its engagement appeal intensifies throughout [b:The Rules for Disappearing|13018503|The Rules for Disappearing|Ashley Elston|http://d.gr-assets.com/books/1352817095s/13018503.jpg|18180811]. Her diction is plain, but not simple.In a pistachio shell, [b:The Rules for Disappearing|13018503|The Rules for Disappearing|Ashley Elston|http://d.gr-assets.com/books/1352817095s/13018503.jpg|18180811] involved agonizingly slow revelations coupled with unrealism and predictability that made the mystery of this book flat. I certainly appreciated the nontraditional family portrayed and the initial fierceness of the protagonist, Meg despite this. Though not a stellar debut in my book, [b:The Rules for Disappearing|13018503|The Rules for Disappearing|Ashley Elston|http://d.gr-assets.com/books/1352817095s/13018503.jpg|18180811] certainly worth a read.This review appeared first on Oh, Chrys!

This review appeared first on Oh, Chrys!Saturated with psychedelia and philosophy, BloodLight is quite the eccentric read. Though I appreciated its strong poetic diction and its impacting imagery, I just could not find myself enjoying it most of the time. This is primarily due to a droning plot and unyielding, frustrating vagueness. Despite these poor qualities, I am glad that I stuck it out.Readers are introduced to Robert Goldner, a black wrestler attending high school. Thankfully for me, the wrestling did not dominate this book as I was expecting. Like most teenagers his age, Robert is searching for himself, but with the emotional upheaval he has endured, such as his mother's death, Robert repeatedly fails. He has no true companion in life, and the person he cares about the most, Davin, has been apprehended by the HSA - a murky governmental authority that takes in suicidal persons.What I liked the most about Robert, is his inherent ability to see meaning in the most superficial places. Whether or not this was Grey-Sun's attempt at having a "deep" character, I thoroughly enjoyed the poetic perspective Robert provides. Unlike the other blacks in his school, who Robert felt were disgracing the race, he has his head screwed on. However, I felt as though he obscured any chance he had at self-discovery because of his inability to rise out of his emotional distress. His relationship with the controlling Leigh is rocky. His sexual orientation and confusion has him living dishonestly. His school is overflowing with racists and other students who mock him. Yet rather than trying to resolve this, Robert festers in his pity, perhaps unintentionally too. Robert's life is pretty crappy, and so is his response this.The novel takes a turn when Robert begins to experience his body being overcome by an outside force. He has psychedelic hallucinations that are obviously metaphysical. However, readers are given no clue to what the cause of this physical and mental anguish can be. Soon these episodes become normal, and this gives the plot a repetitive, dull face. Part I, which should have been the section that encourages readers to trod on, is agonizingly slow. I am sure many after me will give up getting beyond it. It is not only until over half of the novel, that readers are given an obvious clue to explain what is happening to Robert when the mysterious Artemisia is introduced. This gives BloodLight a climatic push that it desperately needed. If I were to reveal what the push was, I would be spoiling the most interesting aspect of the book. Towards the end of the novel, readers learn more of this world that is thrusting itself upon the unsuspecting Robert. It is not until Robert transposes into this perplexing dimension, I got to see stronger worldbuilding. It is explained solely in metaphoric imagery, which was a brain-ache at times. However, the religious and mythological aspects explored are unique, and supply readers with thoughts to ponder about. There is not much more I can comment on the plot because of its vagueness; however, it is obvious that this book is primarily functional in setting the backdrop of the Eve of Light series. It is an insightful introduction to Robert Goldner's new beginning.I think it is safe to say that BloodLight was purely style-driven for me. This is what made this book increase by a star for me. Grey-Sun's writing is extremely abstract, especially when describing Robert's hallucinations. For some, this will be very tiresome to endure, especially if they cannot withstand reading paragraphs of abstruse, prolonged metaphors that are just as literal as they are symbolic. This is what may cause a lot of confusion for readers. Sometimes I felt the imagery was just to powerful, too rhythmic for such a stunted plot. Nevertheless, it is this evasive, exemplary style that fed my curiosity. I was not engrossed in the life of Robert as much as I was in Grey-Sun's writing. I especially loved the parts when Robert was transferring from dimension to dimension - when an unknown world was forcing itself upon him. I do look forward to learning more of Robert's Job-like plight, especially since BloodLight ends with him being endangered; however, it will not be much of a priority for me.

Providing an alternate history for many Tudor-era enthusiasts to fancy, [b:The Boleyn King|16071746|The Boleyn King (The Boleyn Trilogy, #1)|Laura Andersen|http://d.gr-assets.com/books/1365342692s/16071746.jpg|21865749] certainly fell short to me. Though it portrays a historical “could have been” that undoubtedly is intriguing, its execution was not captivating. Following the lives of four best friends, The Boleyn King explores what has been perhaps the one of the most overplayed features of the Tudors- that of being love obsessed (thank you, Henry VIII.)The premise of Anne Boleyn giving birth to a legitimate son is definitely one that is not often explored in literature. With excitement, I requested this book expecting a robust read oozing with political intrigue. To my disappointment, the domestic and foreign affairs of the court were portrayed flatly, especially via epistolary infodumping. Instead, the book tells as though a young adult contemporary, focusing on superficial love. I do enjoy the aforementioned genre, but when it comes to historical fiction I want more than a plot that can easily be displaced into our modern world, specifically high school. I want more than a light read. I felt that historical aspect was nothing more than a fancy backdrop. One cannot deny that lust plays a pivotal role in Tudor history, but at the same time, there is more to the dynasty than obsession.Told in multiple perspectives, [b:The Boleyn King|16071746|The Boleyn King (The Boleyn Trilogy, #1)|Laura Andersen|http://d.gr-assets.com/books/1365342692s/16071746.jpg|21865749] follows the lives of four friends since childhood. There is the Boleyn king, William; his sister, Elizabeth, Minuette, one of his sister’s attendants, and Dominic. This circle of friends despite their stark differences in ranking are loyal to each other, and when a plot to overthrow William is discovered, it is their investigating and planning that has to stop it. The mystery behind the machinations against the King did interest me, and the sleuth of the friend quartet give the novel a pace that is well-needed. What I enjoyed about these characters was their distinction. Elizabeth, as she is often portrayed, is short of emotions and calculated. William is impulsive, itching to rule independently. Dominic is the wise one, aptly serving as William’s trusted counselor. Minuette, conversely is a lackluster character, functioning as an object of lust. Soon trapped in a triangle of unrequited love, Minuette is unbelievably naive, and dominates the novel with her weak characterization. This love triangle provides the [b:The Boleyn King|16071746|The Boleyn King (The Boleyn Trilogy, #1)|Laura Andersen|http://d.gr-assets.com/books/1365342692s/16071746.jpg|21865749] with a predictability that smothered any remnant of intrigue I had in the beginning. This is because I found it completely unnecessary to what could have been a thrill of a plot. Of course, it also provides reason for a trilogy. One character that I definitely wanted more of was the notorious Anne Boleyn, By the time of [b:The Boleyn King|16071746|The Boleyn King (The Boleyn Trilogy, #1)|Laura Andersen|http://d.gr-assets.com/books/1365342692s/16071746.jpg|21865749] she is just a shell, whose presence is nothing significant.When it comes to Andersen’s style, I did not find anything too impressive. The transitions of perspective were quite odd. Misplaced and confusing, these choppy transitions had to take getting used to. I was most irked by the infodumping though. With historical fiction, I can understand the usage of month-long interludes with so many events occurring. However, spurting them out via letters every time proves trite to me. Even the battle scenes were mechanical to me, lacking a fluidity that would immediately place me in it. I also found the voice of the novel to be too juvenile considering its time period. In fact, I mentioned on Goodreads how it told as though Tudor High School drama, which is definitely not attractive to me. I do commend Andersen for providing such a intriguing, mysterious ending that would probably incline me to read the next installment.All in all, [b:The Boleyn King|16071746|The Boleyn King (The Boleyn Trilogy, #1)|Laura Andersen|http://d.gr-assets.com/books/1365342692s/16071746.jpg|21865749] is an alright read. Encompassing too much “telling” and characteristics of a contemporary, It did not stand out . For a historical “could-have-been”, I wish it was less focused on romance and more on political intrigue – that would have made it more fulfilling for me. Despite this, I highly recommend this to those who are deterred by historical fiction because it is ‘boring’ or ‘verbose’. It has a young adult voice that will certainly grip enthusiasts of that genre.This review appeared first on Oh, Chrys!

This review appeared first on Oh, Chrys!Lacking depth, [b:Life After Theft|16065465|Life After Theft|Aprilynne Pike|http://d.gr-assets.com/books/1361587713s/16065465.jpg|19071699], did not have any qualities that really struck out to me. With an active plot accelerating at a moderate pace, not only was it a quick read, but a very forgettable one too. Though it left no impression on me, it was certainly one of those reads that had me smiling at some instances, and crossing my fingers at others. It surely entertained as a stereotypical, sappy high school drama show would. Then there were those grueling times that I slunk in disappointment.Jeff is the new kid in town at a private high school who has just made the sudden transition to a wealthy lifestyle in California. He still rocks his casual Chucks, and is proud of his BMW Z4 convertible. Things take a turn, when he is confronted by Kimberlee, a snarky ghost with a lot of baggage who is only visible and audible to Jeff. This twist will probably amuse readers as Jeff reaches the fringes of his sanity while helping Kimberlee with her "unfinished business" - a project to rid herself of kleptomaniac guilt that may be obstructing her from crossing over. Despite its remedial and moral implications, Kimberlee's "unfinished business" is extremely risky, and Jeff often ends up putting his education - even his freedom - in danger.Picking up where [b:One Day More|10929|For One More Day|Mitch Albom|http://d.gr-assets.com/books/1347937379s/10929.jpg|3125926] left off, [b:Life After Theft|16065465|Life After Theft|Aprilynne Pike|http://d.gr-assets.com/books/1361587713s/16065465.jpg|19071699] offers a new perspective with Jeff as the narrator, rather than Kimberlee. He is obviously caring for taking up Kimberlee's project, and he is does not let his new status of wealth transform him into a snob like most of his schoolmates. His pairing with the controlling Kimberlee is what made [b:Life After Theft|16065465|Life After Theft|Aprilynne Pike|http://d.gr-assets.com/books/1361587713s/16065465.jpg|19071699] a fun read. Their constant bickering is entertaining, especially when realizing that one of the two is not even human.It was refreshing to find a YA in a male's voice, especially since my initial interpretation of the cover implied that Kimberlee would be the narrator. However, Pike provided a stereotypical male point of view, immediately reducing the exclusivity of having a male narrator. Though he has a humorous personality, Jeff's character is marred by the common cliche that his gender is occupied by sex-driven monkeys. There are so many instances where Jeff cannot perceive his romantic interest, Sera beyond her physique. His irresistible urges to stare at Sera's bottom and long legs are frustrating, if not degrading. It is not wrong to be attracted to the opposite sex, but objectifying them as though they are commodity is.Though Jeff provides the male narrator voice not so often conveyed in YA, I just could not find myself becoming immersed in his characterization. All I know about Jeff is that he is the offspring of teenage pregnancy, newly-rich, and has the serious hots for Sera. He does have moments where he questions the existence of a deity and the morality of good and bad. Hearing such philosophical discourse from a person who dubbed his black and beautiful car, Halle after the famous actress was very unexpected. It made me feel that I was cheated of what could have been a slightly thought-provoking readThe dull characterization forced this novel to be unfulfilling, and it did not stop at Jeff. I was most frustrated by Kimberlee’s development. I learnt nothing exclusive about her in book: Life After Theft]. New tidbits were hinted at, but left too much for me to interpret. Throughout [b:Life After Theft|16065465|Life After Theft|Aprilynne Pike|http://d.gr-assets.com/books/1361587713s/16065465.jpg|19071699], readers are given vague hints about the life she lived before. I guess this should have been an eponymous expectation? It is obvious that she was a snob, but why was it so? Why did she hate so many people? Why is it that only Jeff could see her? [b:Life After Theft|16065465|Life After Theft|Aprilynne Pike|http://d.gr-assets.com/books/1361587713s/16065465.jpg|19071699] did not sufficiently answer these questions, though it certainly attempted to. It only accentuated Kimberlee's meanness with a dash of nemesis grudges. Nonetheless, her kleptomania is very intriguing, and it was great to see how remorseful she was for her mistakes.Like its characters, [b:Life After Theft|16065465|Life After Theft|Aprilynne Pike|http://d.gr-assets.com/books/1361587713s/16065465.jpg|19071699]'s romance was depthless. It is just plain ol' lust. The kind that deludes many teenagers that they are in sweet love. I sincerely appreciate that Pike did not loosely portray love often in [b:Life After Theft|16065465|Life After Theft|Aprilynne Pike|http://d.gr-assets.com/books/1361587713s/16065465.jpg|19071699]. It was obvious that the Jeff-Sera relationship was primarily physical. . There are not many emotional scenes between the two that show that they actually had a deeper, mature understanding of each other. Perhaps Pike's intention was for them to be in love, but I never saw anything beyond that.It was also nice to see the presence of parents in this novel. Being the result of teenage pregnancy, Jeff is well-aware that his parents do not want him to make the same mistake. His mother is always concerned about his life without overwhelming him. This is an ideal parental presence, as Jeff was given leverage to make his own decisions, but with caution, not suppression For instance, there is a scene where his parents give him the "condom lesson", emphasizing that they are not 100% effective. I sighed at its unoriginality, but it is one of those important tidbits to know.As for Pike's writing, it is juvenile. The novel is dialogue-driven and narrated by a "cool" kid. It would have been lovely if there were passages of eloquence to leave a lingering impression, but sadly there was none. I find that younger readers will very much to relate to the book easier because of its rudimentary language. Most of the time I felt like I was reading a story someone wrote in high school. This will prove good or bad depending on the reader's palette.All in all, [b:Life After Theft|16065465|Life After Theft|Aprilynne Pike|http://d.gr-assets.com/books/1361587713s/16065465.jpg|19071699] was simply a superficial read. Yes, it entertained me most of the time, but I was left with no sort of impression. Everything was superficial. The plot. The characters. The romance. Though I was stunned to see ponderous discussions, I cannot deny how bland it was. It is an okay read, and that is about it.

This review appeared first on : Oh, Chrys!You know that feeling, when the entire world is raving about a book, and you roll your eyes thinking, "What a fad."? Well, that describes my initial relationship with Under the Never Sky. I am not the type of reader who believes in reading books because everyone else is. In fact, I take that as a warning to stay very far away from a book. Somehow, I became enmeshed in all the fangirling, and I took the plunge.I am no avid reader of dystopians, but I have studied what they are supposed to be. I have not seen this novel explicitly marketed as one, but with this dystopian trend, there is no need to. With that in mind, I was expecting a very meticulous yet enthralling depiction of the imaginary world Rossi created. Unfortunately, that was not the case. She merely scratched the surface, and left me to assume a lot. I felt like I was shoved into a world I had never been in, rather than gently beckoned to join. Though the worldbuilding was not exemplary, it sure left me pondering our own future. This is the result of Rossi's sharp contrasts between the Realms and "Real Life". You see, Reverie is this technologically advanced society that is practically a stimulation of real life. There are no diseases or anything that can prove a threat to existence. However, this utopia embodies a flaw that can cripple its existence. Conversely, there is real life, where Savages roam, fighting for survival. I was not left in trepidation after reading, but I did ponder: Will we end up living like that soon too?As for the characterization, I was satisfied. Obviously, Rossi put some thought into their names, and she gave them their own voices. This helped to make the exchanges of dialogue interesting. What really captivated me is that each main character has a mission, an agonizing one that shows where the loyalties lie.These conflicts are presented early, and help readers to relate more to the characters. To me, conflict gets a plot going, which explains why Under the Never Sky is filled with enough action to keep you engaged.Aria, the lead heroine, has some spunk, and that made me more favorable of her. Even when she needs to depend on Peregrine, who is a Savage, for her survival, she is wary. Sadly like most YA heroines before her, she falls heads over heels in lust with her male counterpart. Her mistrust and hate of Perry develops quickly into this romance. I gave a more critical eye to this escalation and realized that it took a tragedy, a truth and a transformation for this to occur. It is frustrating to see how YA authors reduce love to solely an instinct - a primitive excuse to touch each other, so I was glad Rossi provided somewhat of a foundation for their relationship. Rossi also explored their prejudices and helped them to realize that their differences can be set aside, whether for redemption, closure or survival.Rossi's style is overall satisfactory. I mentioned earlier that the worldbuilding is lacking, and this is evident in the absence of lurid imagery. Dystopian novels require imagery that is so forceful, that is leaves an impression on the mind. Every novel requires this as a matter of fact, but especially those that are presenting a world you have never imagined or encountered before. I found that the only compelling instances of imagery are the ones depicting Aether storms and their damage. Sometimes though, I felt that these Aether storms are blatantly used to hurriedly shift the plot.I found no other instance of Rossi being circuitous besides in her worldbuidling. I enjoyed the varying narratives between Aria and Perry. They were fluid and made chronological sense; they give readers a more in-depth look at what they experience. She also ends most chapters with a dangling conflict. I am one for cliffhanging chapters because they provide incentive to read further. This technique eventually immersed me in the lives of Peregrine and Aria, and I looked forward to how they would respond. And of course, there are those twists and the big twist. I think those are what helped me to appreciate the writing more, because I did not anticipate either of them. So while this is not a good example of a dystopian, it is certainly an enjoyable, thought-provoking read. I have already started on its sequel.

*This review appeared first on Oh, Chrys!Ten Tiny Breaths is one those books I want to share with everyone who can read English. It was relief embodied in bytes and pixel, as I have been searching for new, stunning read. This is not to say that it is impeccable though, but it certainly had me clinging to my tablet as I read it. It hooked me from its first couple pages. A rarity.The most powerful message in this book is its significance of drunk driving. It is a message that is riddled in many novels of today; however, it is portrayed without false distortions in Ten Tiny Breaths. There are also instances of drug abuse, molestation, poverty, gambling and divorce. All of these social issues compiled, uncover a book that is not only meant to poke at your feelings, but one that places you into its world, then and there.Kacey, like most female leads in recent New Adult novels, is damaged.Despite this element being pedestrian, and worthy of sighs of disappointment, Tucker gives it justice by encasing this brokenness in captivating style. She does this through her dialogue and her metaphorical descriptions of Kacey's emotions. Though I felt it was exaggerated sometimes (ie. Kacey's inability to touch people's hands in fear of losing them), it certainly propelled the plot. This is because I empathized with Kacey, and I wanted to see her triumph over her horrendous past.Despite her inability to attach to people, Kacey is an exquisite character of literature. She is no role model you want for your daughter, but she really captured me with her demanding personality. Her incessant smartass comments, her profanity, and her sexual impulsiveness provided her with a magnetism that not only captured my thoughts, but my emotions too. What I admired most about Kacey though was her determination. Firstly, it is her protection of Livie that led her to move them to Miami - broke. I do not think I would have the guts to do that. Another example is that she is determined not to form bonds with others, whether sexually or not, because she does not want to endure losing them. Though this is counterproductive to healing from trauma, it sure amplifies that she has an iron willThen there is Trent, the Messiah who will somehow "fix" the damaged redhead, Kacey. It appears that his characterization is primarily meant to swoon female readers (except me probably). His very introduction in the book is evolved into a serious case of the hots for Kacey, and within minutes, she is infatuated. This can probably be a result of her celibacy period, but for someone whose heart has been converted to steel, I found this unbelievable. Nonetheless, Trent is mysterious because readers do not learn his origins and his motives early. However, it is not the annoying 'mysterious' that authors utilize to make a character all sexy and confusing. Also, Trent propels that plot in such a way, that at one point, I became extremely desperate to read more.The romance between Trent and Kacey saturates Ten Tiny Breaths after a while, and this has its pros and cons. Firstly, I felt that Kacey's independent attitude (that was perfectly complimented with sarcasm and bitchiness) transforms into a dependent, oh-so-horny one too quickly. What exactly compelled her to want to be with Trent when she first meets him? I am sure she saw many chiseled men with blue eyes at the gym. Even more surprising, is that Kacey learns to lean on Trent so much, that when he takes a sudden absence, the novel solely tells of Kacey's loneliness. Though their relationship has what I deem an unstable basis, it certainly deepens as Trent does his utmost to break Kacey's shell, to remove that snug "bitch coat". He fails many times, and does some questionable things, but he is relentless.I am not one to really examine secondary characterization in my reviews, but Ten Tiny Breaths is an exception, and that is a great thing. Each character is thoughtfully placed into this book. Whether they are menacing like Ben or stern like Dan, they certainly cast more light on their primary counterparts. One secondary character of note is Storm, the Cleary sisters' new neighbor. She initially appears to be the average bimbo, but she proves to be much, much more than that. This book actually reinforces that good ol' Shakespeare theme of appearance versus reality. Conversely, though Livie should not be considered a secondary character, I found her to be one. She is angelic, and supportive of her sister, yet she seems to be in the background most of the time, especially when Trent begins to dominate her sister's life. Tucker has not left us to dry though, because the sequel to Ten Tiny Breaths, One Tiny Lie will be Livie's perspective.As for Tucker's style I was very pleased. Her metaphors of Kacey's fight to be like herself before the tragedy are compelling. Like the cover depicts, life alone was practically drowning Kacey, and it takes genuine compassion and medical attention, to help her resurface. The exchanges between characters are notable, as they each portray their personalities as they speak. I was happy to see the dialogue being more than just functional, but also unforgettable. There are some quotes that Kacey said that I will not ever forget, for instance. I also enjoyed the instances of humor which manifested in Kacey's sarcasm and Tanner, the landlord's, slowness.Perhaps the strongest element of this book is its ability to evoke tons of emotions from readers. Simply put, it was so touching. Sometimes Tucker made me feel pitiful of the Cleary sisters and their future. At other instances, I was left gaping like a fish when the most unexpected twists played out before me. This book even made me shed a tear or two. Then several pages later, I found myself laughing at Tanner's pajama bottoms. Ten Tiny Breaths put me on an emotional rollercoaster, and let me tell you it was such a memorable, ride.

I was eager to read Scott Kelly's latest release, The Blue. I was left stunned by [SIC], so I could not resist. Initially, I was worried that my expectations for the The Blue would be too high. Fortunately, Kelly proved me wrong and has now left me with the hard task of reviewing this book without sounding like a fanatic. I loved it. It comprised of a fast-paced plot that left me on the edge - the epitome of a thriller.Derek Weaver is your typical aspiring artist who seems to have no ambition in his life. Though he is what many would deem an insignificant slob, he is a very intriguing character. This can be attributed to all the conflicts he has to endure. He has to deal with face-blindness, heavy guilt, a stalker, alcoholism, an ex-wife, a lawsuit, and his overall failures in life. Sounds like an unlucky guy, eh? Thankfully, Kelly did not use Derek's woes to tug at my heart string. A lot of authors attempt to force you to feel sorry for a character to keep your attention. Kelly is a realist, he "ain't got no time for that". Instead, he presents the gritty truth, leaving the reader to neutrally decide how to react. Using this method is what makes books like The Blue a riveting philosophical read.Since this is a short book, I must say I was impressed with the characters in The Blue. They are not added merely as fillers or entertainers, rather each character is meticulously placed to accentuate the reflective nature of the novel. This is evident in the characterization of Derek's lawyer, Mr. Grayson and his doctor, Eli. These two characters offer their own beliefs of life which leaves room for pondering - something Kelly wants his readers to do. For instance, Mr. Grayson blatantly states his view of life to Derek. He declares: "...there's only one real force in this universe, and that's chaos...Anything can come and ruin your life's work. Life sucks like that, and people don't want to believe it." (Location 1831 of 4777) Not only do these characters portray their stance in their dialogue, but in their actions as well. You can see that especially with Dr. Eli.He's a funny man.What really made The Blue a gripping read though is its paramount writing style. It is enveloped in first-person narrative which allows readers to experience what it is like to be Derek. His impairment made this perspective even more unique because without recognizing faces he is unable to sense when danger, in the form of a crazed stalker, is right in front of him. At times, I wished I was able to tap him on the shoulder and steer him to safety. I guess that rectifies how attached I became to Derek. Another unique twist is that Derek is also a "bad guy". He is being charged for vehicular manslaughter. This outtake proved to be refreshing as I got to see how it felt to be held responsible for killing innocent people, to be frowned upon for something you vaguely remember. I liked that whenever a surviving relative is introduced, the atmosphere of the book fills with a tension that you can slice. This "victimizer" point of view was interesting.Another impressive element of The Blue is its expert use of figurative language. Honestly, I really looked forward to this in the book because of its predecessor, [sic]. The eponymous color motif is not hard to miss. It manifests itself in the sky, Derek's memory, and police uniforms. The significance of this motif is probably connected to the moral basis of the story, and I feel that Kelly probably has left it for us to further interpret. There is also compelling imagery. For instance, the description of the accident as it happened left me fearful. It really made the book open with a bang. Then there are the countless metaphors that make the most banal descriptions examples of beautiful prose.Once again, Kelly has left me questioning human nature, morality and life's spontaneity. What is wrong or right? Do we really need order if life is just a chaotic and deranged symphony? You might ask similar, thoughtful questions after delving into The Blue.Disclaimer: I received a free copy of this book from the author in exchange for my honest review.

I have never been exposed to a Lindsay Paige work before reading Don't Panic. What attracted me to this book was its cover graphics and its subject area - anxiety attacks. I have had friends who suffered from this disorder, so I was glad to delve into it more.The book's lead Samantha is suffering from severe panic attacks. Though I felt pity for her situation, there were times when I felt her attacks were not described well; therefore, the book became uninteresting. However, this changes as Samantha's attacks intensify. The more severe the attack, the more Paige used powerful descriptions that left me stunned. At times I could feel the agony that Samantha had to endure, which helped to make the plot more authentic.Not only does Samantha suffer from anxiety, but she has a dysfunctional home. Her mother is so indifferent to her disorder - she often accused poor Samantha as faking sick to cut classes. I feel that this character represents the majority of people who are oblivious to Samantha's disorder. It is often overlooked and deemed intentional. This is a sad reality, and I am glad Paige included it. Her father is absent, and Samantha prefers it that way. However, because of her past with her father, Samantha is determined to resist confiding in others. She does not want to feel that pain again.Paige did not attempt to make this book an information guide on anxiety, so I was not surprised with its romantic element. Eli, a handsome swimmer, feels an impulse to help Samantha on her turbulent journey. He is more than his looks, as he makes Samantha a priority. He is trying to rescue her. Despite his helpful intentions, I found Eli to be mostly corny. For instance, he calms Samantha down by singing sweet, mushy songs in her ears. Though it is a proven tactic to relax one's mind, his singing became annoying sometimes. In a nutshell, he is a bit creepy. The romance between the lead pair escalates too fast, but I assume it is because of how desperate Samantha is (not for male companionship) but for someone who truly cares about her well-being.Because of the repetitiveness of Samantha's attacks which are integral in Don't Panic, I began to convince myself that the plot was flat. Interestingly enough, the plot takes a drastic turn with the introduction of Chad - Samantha's ex. He is a complete jerk, and he just adds more pressure on Samantha. Thanks to the Eli versus Chad conflict, Don't Panic became more interesting to read. I wanted to know what Samantha would do with the both of them, and I am sure other readers will be intrigued as well.There is not a generous use of figurative language, which was a downfall. I think a touch of more metaphors, for instance, would have enhanced the book's readability. I do recall the extended metaphor of a raging sea during a storm being compared to the spontaneity and fluctuation of Samantha's panic attacks. The book was also malnourished in its imagery. All in all, Paige's writing was satisfactory - plain yet didactic.I commend Paige for tacking this subject, and I hope it serves as a beacon for those suffering from anxiety. I also hope it creates more awareness.^I received a complimentary copy of this book in exchange for an honest review.^^This review appeared first on Oh, Chrys!

With just a cursory glance at this book's cover, I could not resist the opportunity to read and review it. I was most intrigued by the fantastical element of dragons, which to me are not as popular as they used to be with the prominence of vampires, shapeshifters, and werewolves in literary works today. When books have such an refreshing outtake I am more inclined to read them, so thanks S.G. Rogers for standing apart from the norm.What I enjoyed most about Tournament of Chance is its presence of a strong heroine - Heather. Though her boldness and sharp tongue could be translated as impertinence, Heather proves to be an admirable character. At times, I wish she let her guard down a bit, but her cleverness, dexterity, and toughness, reminded me of why a girl like Heather is the way she is. Heather, like Elizabeth Bennett from Pride & Prejudice, challenges the conventions of society. When she is cheated of an archery tournament hosted by the conniving King Chance because of her "commoner" status, Heather ignites a revolution - one that will put her and her friends in danger.What really propels her development (and the overall plot) are the sparks that fly between her and Dane - and I mean both antagonistic and romantic sparks. Dane is a Prince of the ancient, magical dynasty, the Ormvalders. He and two other Ormvalders are reawakened into the present, and they plan to restore the power of the rest of the Ormvalders so that they may be strengthened before they too re-awake. It is obvious that Heather and Dane share a mutual attraction, but it is Heather's hardheadedness, and Dane's initial smugness that cause their early conflicts. If you are into romance, Dane and Heather will have you chuckling, rolling your eyes, and eventually sighing.The plot of Tournament of Chance is also enjoyable. It is extremely fast-paced. There is so much going on, and sometimes I felt a bit overwhelmed. Despite that, I was still interested in reading more. Readers will love the dynamics of the various plot-lines, and the twists that occur. I think the atmospheres could have been described better, but the plot is so engrossing at some instances that I did not really care for a strong buildup of the characters' emotions and surroundings. Also, the inclusion of exclusive creatures and lands remind me of how unique and expansive fantasy can be. Rogers' creativity really shined throughout this book, and I am sure many will appreciate it.My biggest problem with the novel is its good writing style Note, I said good. I really wish the writing was more outstanding. That would have made Tournament of Chance an even better book. With such a unique cast of characters and plot, I think it deserved more eloquence. I found the writing to be rudimentary at times, and this greatly disappointed me. I think it needed a little more oomph, but it was okay.*I received a free copy of this book from the author in exchange for my honest review.**This review appeared first on Oh, Chrys!

When I read the blurb for Undertow by Kiri R. Newton, I was expecting a read that I would instantaneously fall in love with. It is not often that I read books about mermaids. This is probably the second. Unfortunately, Undertow did not captivate me the way I expected it to have. Perhaps I put too much hope in it because of the intriguing blurb.Expecting a unique read, I was disappointed with the overplayed and predictable plot. For instance, there were many allusions to Twilight, a saga that I abhor. One of the characters is described as being hotter than Edward Cullen. I dislike when authors do this because it seems as though they are trying to enthrall readers by mentioning a memorable character. I am sure many readers will gush at these instances, but it made me frustrated.Another thing that made Undertow such a difficult read for me was the gullible and unbelievable Zoe. While on her flight to the US, the plane crashes. However, the only reason she is alive is because Josiah, a merman, has bitten her neck. Apparently, a mermaid can revive someone from the dead once in their lifetime, but the catch is that the revived will become a mermaid. This fantastical element can easily be associated with vampires, and I think the idea of this was very creative. However, Zoe is not freaked out about this. Instead she embraces being a mermaid minutes after she finds out about it and she is swooned by Josiah’s nakedness. I literally rolled my eyes during this scene, which was supposed to propel the plot.I know by now you are thinking that I have nothing positive to say about the book. Well, you guessed wrong. Though the novel had a rough and difficult start, the plot did heighten at certain parts. Readers soon learn that after this encounter, Zoe gets on with her normal life. That is until Josiah, the naked merman, comes back into the picture. He needs Zoe to help save the mermaid realm. How cool is that? This is where Zoe’s characterization improves. Rather than being the sappy teen who opened the book, she is a heroine. Sadly, the epilogue of Undertow brought me right back down to the mood I felt when I read the first few chapters of the book. It ends very suspenseful – too suspenseful. Sequel, maybe?As for the style of the writing, it was nothing to rave about. There are some scenes that are described masterfully, and I am sure Newton has more in store for us.Undertow was an okay read for me. With such a creative fantasy world, I really anticipated a consistent and intriguing plot. I just wish that I got into the book a little earlier than I did. I am sure other readers will.

Enveloped in mystique, Daughter of Smoke and Bone by Laini Taylor is definitely a book I do not regret reading, especially after all the humiliation I endured for not doing so earlier. I delved into it with high expectations, and while most of them were met, they were easily displaced as the novel progressed. To avoid ruining the book, my review will be somewhat vague, as the blurb is intricately worded so as not to give readers a clue of what they are about to get into. I liked that aspect, so I find it my duty to maintain it.Karou is an eccentric art student living in Prague. She keeps to herself, often avoiding her ex-boyfriend Kaz, while delighting in conversations over goulash with her best friend Zuzana. She is what many would call a 'free soul' and is very independent for her age. She is not normal though. With her natural, shocking blue hair and her expert fighting skills, Karou is a unique being, except she does not know her origins. She does know that the drawings of mythical creatures in her sketchbook are real though - so real that she was raised by them and runs bizarre errands for them. Daughter of Smoke and Bone is the revelation of Karou's history, her blood and battles.In regards to this other plane, Daughter of Smoke and Bone is magnificent in terms of world-building, especially considering that it is a plane that has became exhaustive in its genre. Taylor tantalizingly spills the features of this other world, leaving readers to pick up the pieces one by one. Admittedly, there were many long passages riddled with infodumps though. Despite this, I cannot dismiss my appreciation for what Taylor does - she hones a world raging with unique conflicts. Her imagination is boundless, and this radiates across every page.Readers are given sufficient world-building, so when the plot is ignited, emotions are rolling. When black hand-prints on random doorways begin to obstruct the plane that Karou's foster family resides, she finds it her duty to find them. Through this daring, adventurous mystery, she learns who she really is. Another intended catalyst of the plot is the mysterious Akiva. He is magnetized to Karou, often finding himself stalking her. When the two actually meet, the novel to me became droning, as a star-crossed romance ensues, disrupting the action-packed pacing with its fogginess. I find nothing wrong with romance, but the connection between the two is forged in the past, hence, the predictability rate of Daughter of Smoke and Bone shoots to a level never before seen in its early pages. The novel discontinued with its oozing originality, reverting to the typical trends. This really disappointed me.I did really enjoy Taylor's writing though. It is consistently vivid and poetic, often reflecting the magical air so often ascribed to Prague. Taylor masterfully produces a haunting, gripping tale that captivates readers. Here is a sample of this stunning writing in one of my most-loved quotes from Daughter of Smoke and Bone."Happiness. It was the place where passion, with all its dazzle and drumbeat, met something softer: homecoming and safety and pure sunbeam comfort. It was all those things, intertwined with the heat and the thrill, and it was as bright within her as a swallowed star."While I am not raving about Daughter of Smoke and Bone, I cannot deny that it was a memorable read, ending on a very open note. I look forward to following Karou now that she is enlightened on who she is in Days of Blood and Starlight, which seems to be even more cherished by lovers of the fantasy series.Pros: Great world-building // Lofty writing // Strong main character // OriginalityCons: Very slow pacing // Very predictable romance // InfodumpsThis review first appeared on Oh,Chrys!

This review appeared first on Oh, Chrys! Eerie and enchanting, City of Dark Magic is a delightful read that will take readers on a tumultuous adventure of sleuth and treasure-hunting. As a travel enthusiast, I just could not refuse reading it. With Prague as its backdrop - a place that attracts tourists alone for its mystique - City of Dark Magic is unforgettable.Many times I have seen settings that forcefully dictate the plot in an effort to latch on readers. These are the settings that lack the compel factor, the settings that are thrown in your face with Wikipedia excerpts and research jargon. Considering the alchemy-based magic portrayed in the novel, a setting such as Prague was ideal. Fortunately, this setting has a subtle, yet domineering presence. Rather than feeling like historic information was being shoved down my throat, the duo behind Flyte gently showed me, not told me, about Prague. For instance, though this novel is set in our time, readers also get to learn of ancient Prague's history via time-warping. How interesting is that? Also, the descriptions of Prague, such as its distinct buildings, its Nazi ridden past, elevate the mystery of the book. In fact, I think if this novel was set elsewhere, the suspense factor would have been less than drab. It was that perfect the combination.Now the characters in this novel are crafted well, except for the main protagonist. I really expected her to flesh out into a work of art, but she never did. Sarah Weston, a budding Beethoven expert, proved to be not only dull, but thoroughly unlikable Her father has passed away, her relationship with her mother is rocky, and her sex life is more casual than Old Navy flip-flops. When she takes on a job at Prague Castle -the biggest castle in the world - I was expecting her to get herself together and be professional. However, on the first night she ends up having a discreet sexual encounter at the dinner table, whilst the other art academics are eating. I found this unsettling, and I am no conservative reader. For me, it was a red flag that any ensuing romance involving would be poorly-constructed, and that it was.Prince Max, is slapped on with the regular princely attitude. He appears to be arrogant, selfish and disinterested. In reality though he is very concerned about the ensuring the Lobkowicz legacy is protected, and this is evident in his fervor for treasure-hunting sprees. Max is very likable despite his flaws, and though he had more potential as a character, he really propels the plot. He serves as the catalyst that shifts the plot into an even more engaging read. He unveils City of Dark Magic to its enthralling core - an intense, sometimes psychedelic experience involving legends of treasure, revelations of dark secrets and a struggle for power.Other characters that intrigued me, are the manipulative senator Charlotte Yates, and Max's loyal assistant, Nico. Though Charlotte is unbelievable because of her exaggerated power as a senator, her motivations reveal the darkness of human nature, and her machinations to acquire what she wants are terrifying, adding tension and fear into a boiling plot. Nico, is extremely lovable, especially since he is a true intellectual, and attracts readers with his humor. He is eccentric, just like Prague, and is sure to entertain readers. With such characters juxtaposing her, Sarah had no chance at ever being favorable. Her character seems to be driven by her own selfishness, whether it is for sexual pleasure, emotional closure, or career glory.City of Dark Magic reminded me a lot of The Night Circus. Besides the fact that many experts were called to a single place to utilize their talents, both novels portrayed fantastical elements that were not overdone .Despite the blurb misleading me, I was satisfied that the alchemy-based magic felt so authentic and possible. I appreciate a dose of reality in my fantasy, because it allows me to become attached easier. Also, the styles of the authors who consist of Magnus Flyte complement each other well. They maintained an absorbing diction throughout the novel, and their tasteful use of humor is enjoyable. There is even an allusion to Albus Dumbledore! What really accentuated their writing was their generous, captivating descriptions of Prague.Sometimes the plot was slow-paced, but the mystery was so tantalizing, lingering in the air, that I was compelled to vigorously read it. I found myself so absorbed in City of Dark Magic, that at times the eeriness it possessed left me with peculiar unease. I am so glad that the ending left me curious, because now I look forward to a sequel.